You just plug them in and start recording. A fancy jargon term used by computer geeks. Otherwise you will be sorely disappointed. Our picks for the best audio interfaces for Logic. The Best Audio Interface: 15 Different Choices of - Cymatics. Traditionally, this often meant using a MIDI cable connected via a MIDI interface on both computers.The Best Audio Interface for Logic Pro.You can now go about creating virtual ports between the two machines, pressing the Connect button to establish the link between the two machines. NetworkingTo establish a Network MIDI connection, you need to open the MIDI window (as part of Audio and MIDI setup) and click on the Network icon. Another way is to use MTC (MIDI Timecode) to synchronise the two machines, so that pressing play on one workstation would activate the other.However, thanks to the marvels of OS X’s Audio and MIDI Setup application, combined with a fast Ethernet connection, we can simply use an existing network connection to route hundreds of MIDI channels, as well as the aforementioned MTC, over a single cable.Not only is a network-based MIDI connection efficient on cable usage, it’s also super-fast given the relatively small amounts of data contained in a typical MIDI transmission.Although it is possible to use Wi-Fi, a wired Gigabit Ethernet connection should be the preferred method, as this delivers the best performance with zero latency. As we noted above, Apple is on a two year trajectory to move its Macs. Once connected, you could choose to route MIDI data from one computer to another with one as a master machine and sequencer while the other is used as an external sound generator.Logic Pro X remains popular for recording work, as do the cross-platform Cubase, Ableton Live, Adobe Audition and Pro Tools. In terms of Logic Pro, this.
Best Audio Interface Logic Pro Full Potential OfSet up correctly, discrete tracks on your main workstation should be routable through to separate virtual instruments, letting you exploit the full potential of your second machine. Slave to the RhythmThe second and arguably more interesting route is to use the additional machine as another sound generator.Some composers, for example, will run entire sections of the orchestra (strings, wind, brass and percussion) on separate computers, with just the main workstation working as a MIDI sequencer (Junkie XL has some great YouTube videos for this way of working).Even if your needs are little less taxing, there might be some sense in farming-off part of your instrument list over to a separate machine, particularly with instruments like piano that can put a lot of strain on even the most powerful setup.If you do pick the multi-instrument route using Logic as your host, you will need to apply a small amount of ingenuity with respect to Logic’s environment. For the process to work, you’ll need to synchronise playback between the two machines (via MTC) and then load the video into the slave computer. Arguably the most straightforward use is using a second slave machine as a means of outsourcing video playback.If you’re scoring to picture, the reduced workload on your main machine (both in terms of graphics and the physical data of a large video file) is a welcome one, and with a suitable Thunderbolt (or MINI Display Port) toHDMI converter, you won’t need anything more than a basic laptop. Likewise, the project’s synchronisation settings will also feature these additional output options, letting you send MTC over the network.As we highlighted earlier on, there are two main ways a two Macs based Logic setup tends to get used. Go to the MIDI setup via the menu command Window > Show MIDI Window.2: To configure MIDI between the two computers, click on the Network icon. Step by Step – Using Two Macs with Logic1: Open the Audio MIDI setup application via the Launchpad (you’ll find the application in the Other folder, or as part of the Utilities folder on older Macs). Focus On The Audio IssueAlthough MIDI works superbly over a network connection, the same isn’t true of audio, largely because of the bandwidth required.Technically speaking, you can use the AUNetSend and AUNetRecieve as a means of getting audio out and in to your Logic project respectively, although we’ve heard conflicting reports and testaments to its reliability.Our preferred solution is to either use a suitable audio interface and a something like an ADAT optical connection, or simply import the resultant MIDI track data (via the Project File Browser) and use the slave computer’s Bounce to Disk functionality to render a file for each part. Seecamp serial numbersYou will, however, need to re-establish the Connection using the aforementioned Connect button whenever you re-boot.5: Now boot up Logic on the master machine. Click on the Connect button on the master computer to establish the link.4: Technically speaking, you won’t need to create the sessions on either computer the next time you use Network MIDI. Note that you should now see both computers appearing in their respective Directories. Check the session is enabled, and that ‘Anyone’ is selected under the ‘Who can connect to me’ drop-down.3: Move over to your slave computer and repeat the first two steps. You can study sound to picture on their Music Production Diploma courses, with pro industry tutors. With courses in London, online and now in LA, Point Blank is the Global Music School. Later, we’ll explain how you can access different instruments in the same session.This tutorial is endorsed by Point Blank. You can now access instruments with no latency over the MIDI connection. Anything routed to this will be transmitted to the slave computer’s MIDI inputs.6: On the slave computer, boot-up Logic and check you’re receiving MIDI from the main computer.
0 Comments
Leave a Reply. |
AuthorMaggie ArchivesCategories |